Trilling? Well not quite, Nicole De Boer as Ezri Dax a Trill, as seen on Star Trek. And no I’m not a true Trekkie, but I did enjoy the show. In general I enjoy science fiction, it is another world, and yet it isn’t. All fiction is, in some way, related to real life, where it differs is that fiction can abstract, take licence, and allow fantasy. Fiction can be quite potent in confronting social justice issues. Take any of HG Wells’ works, Orwell’s 1984. Look at District 9, a movie that speaks to racism; Ursula LeGuin’s (who, sadly, died this week) The Dispossessed, a book about racial inequality; or Samuel Delaney’s Neveryon, a series about power, race, sexuality and aids, or Octavia’s Brood an edited collection by writers inspired by Octavia Butler, essays that speak to injustice and inequality. Star Trek was doing it very early with racial creations that confronted our constructs of race, it addressed class, wealth, inequality, power, race and sexuality.
Science fiction enables us to question our values, especially our inherited values, while enjoying being entertained, we are encouraged to look at difference, and to question power relationships, and to seek justice, in some cases restorative justice.
A basic musical Trill consists of a rapid alternation between two notes. A Star Trek Trill was a humanoid native to the planet Trill and who were inhabited by a symbiont, thus two lives in one body alternating. Science fiction enables us to trill inwardly, to look at different sides of an issue – of what might appear to be singular, but is in fact complex. Perhaps to trill is to possess a 20/20 vision in emotional intelligence?