Tag Archives: prose

Love Is There – prose by Paul Vincent Cannon

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Photo: dreamstime.com

 

“Love is an endless mystery, for it has nothing else to explain it.”  Rabindranath Tagore

 

Love Is There

I’m not sure that I can trace beginnings or endings. Once I thought I could, but now I’m not so certain. The dualities of childhood eventually and thankfully slipped away in youth, so that sharp lines and edges, defined density of colours, even surety of perception, all faded in time. To just be in the moment seemed out of reach, until the great letting go, to surrender to ebb and flow without fear or seeking reason was, in the end, the greatest of joys. Even now I don’t know why I was surprised every time love started or ended. But looking back, the question makes no sense. Starts and endings are merely endings and starts. You see love doesn’t start or end, it just is. Somehow I knew, know, that love circles, but I must trust and embody its seamless, wondrous, passionate rhythm.

 

©Paul Vincent Cannon

Paul, pvcann.com

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Falling Into You – prose by Paul Vincent Cannon

dVerse Poets – Prosery

Kim at dVerse has invited us to write a prose piece of 144 words using the line “There are moments caught between heartbeats.” from a poem by Louis MacNiece titled ‘Coda.’

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Photo: http://www.wallpaperg.com

Falling Into You

There are moments caught between heartbeats, just as in those moments of solitude when one questions the point between the inward and outward breath. Or where the water I walked in earlier today, where will it be now? As to pinpointing any definitive moment, well, there is only a kind of knowing by doing, where there arise moments between seeing and feeling. Moments when time falls away and I fall into you and we float so lightly on the energy we so effortlessly generate, lighting our world with a felt glow. for a brief moment time speeds as yet it slows, a quantum of pleasure, like salmon forging upstream, we reach that point of no return, that precipice of tipping where we rise yet descend, and descend yet rise, bathed in an inner sunset, that warm glow between heartbeats falling into you.

©Paul Vincent Cannon

Paul, pvcann.com

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Redemption Rock -prose by Paul Vincent Cannon

dVerse Poetry – Prosery – The Rock Cries Out

Frank at dVerse has invited us to take the line “The rock cries out to us today, You may stand upon me, but do not hide your face.” and use in for a prose piece of 144 words.

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Photo: granite outcrop at Billyacatting with a Sheoak making good with a crevice.

 

“The rock cries out to us today, You may stand upon me, but do not hide your face.”  Maya Angelou

Redemption Rock

We behaved as tourists, observing, consuming, enjoying, but never once holding a sense of belonging or offering something resembling connection even though that space so clearly cried out for it. Now that the tide is turning and ancient forms are slowly taking their leave, we face a new, daunting prospect. Too late to redress the past of our blithe and callow turning away. Indeed, we are no longer at our leisure, no longer possessed of our sure identity, positing who we are and what we might do as if there were no words of opposition or external accountabilities. Gone are our hermetically sealed worlds. We stand at the threshold forced to face ourselves, and even the rock cries out to us today, You may stand upon me, but do not hide your face. Even in the face of death, nature still reconciles us.

©Paul Vincent Cannon

Paul, pvcann.com

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Advent Herald – prose by Paul Vincent Cannon

dVerse Poets – Prosery – Jim Harrison

Linda at dVerse has invited us to take a line from the work of Jim Harrison – “A cow is screaming across the arroyo.” taken from his poem ‘Cow.’

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Photo: Pixabay.com

 

“Moo may represent and idea, but only the cow knows.”  Mason Cooley

 

Advent Herald

A cow is screaming across the arroyo as the weaners are drawn aside. The cattle-hands working the herd, the weaners easily pushed across the arroyo to the feeders like children to a lolly counter. I listened to her screaming, a gut-grief heartfelt, and though I cannot speak it, a warning was implied. Burgers or breeders, the children are consumed. And as I walked reflecting, I wondered about all the herding of life, this arroyo is not the Rubicon, but a die was no less cast.

I came to the creek-line with an angel or devil, I’m not sure, but I left the gate open and the screaming cow dove through. She spoke so clearly as we passed, “Those who lie or sup from the manger will be crucified one day.” Startled, I ran through, I’ve been wandering un-herded ever since, across that arroyo.

©Paul Vincent Cannon

Paul, pvcann.com

 

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The Game – prose by Paul Vincent Cannon

RDP Tuesday – Passage

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Photo: pexels.com

“Children show scars like medals. Lovers use them as secrets to reveal. A scar is what happens when the word is made flesh.”  Leonard Cohen

 

The Game

She reached for the old book once again as she did every Thursday afternoon. It was quieter here in the bookshop then, and she loved to pour over the pages in private, knowing that she would faintly mark a passage that he would find when, as he always did, came looking later, long after she had gone. It was a delicious game that hadn’t yet lost its charm. She found what spoke for her, placed a book mark and pencilled a dot next to “Let us go to the vineyards and see whether the vines have budded …. there I will give you my love.” Sighing heavily, she placed the book back on the shelf and then found her way out of the shop. She set off, determined to buy some grapes before she made her way home. Smiling, she left her door unlocked.

©Paul Vincent Cannon

Paul, pvcann.com

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Let It Be Extravagant – prose by Paul Vincent Cannon

dVerse Poets – Prosery – Meet Jane Kenyon

For this month’s prosery Victoria at dVerse has invited us to write our 144 words including the line “If it’s darkness we’re having, let it be extravagant’ from  Jane Kenyon’s poem ‘Taking down the tree.”

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Photo: hdwallpapersrocks.com

 

“Night is a time of rigor, but also of mercy. There are truths which one can only see when it’s dark.”  Isaac Bashevis Singer

 

Let It Be Extravagant

As darkness dispels the day the city hums differently and thoughts turn from servitude to pleasure. The cemeteries quieten while night clubs howl, even louder on Fridays for a while. But darkness is only ever fleeting, even beyond the daylight night lights of the city centre, the edges of town are moonlit, starlit, ever so clear. Just so the inner, hidden selves of the working day come out so clearly at night. Under the cover of darkness we stop and play, and inhibitions have no hold or sway. Out of the sun or the office light, our true colours shine brightly, the real is about. Cavorting, carousing, and revelling we go, in darkness it’s safe to be us. And, if it’s darkness we’re having, let it be extravagant, for darkness is sharper than light. What is hidden in light is so clear at night.

©Paul Vincent Cannon

Paul, pvcann.com

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Gone – prose by Paul Vincent Cannon

dVerse Poets – Prosery – All Hallows

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Photo: shutterstock.com

 

“Unable are the loved to die, for love is immortal.”  Emily Dickinson

 

Gone

He smiled as I lit a candle in memory, his face briefly illumined in the flare of the match. We reminisced, he and I, as we sipped our mulled wine in the quiet of the eve. Those days of school caps, soccer, steam trains, fish and chips in the high street, so many memories. We recounted all those souls who’d gone before us, choosing to redeem their lives by letting go their shortcomings and recalling their good side, to do otherwise would lack any sense of grace or humanity. The night drew long, and talk turned to he and I and all those years and some lost opportunities, the what ifs and maybes of life. I felt the tears welling, and as I blinked my eyes blurred. Eventually, as my eyes cleared, I looked up and saw that he was gone, until next time.

©Paul Vincent Cannon

Paul, pvcann.com

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I wonder – prose by Paul Vincent Cannon

dVerse Poets – Prosery

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Photo: the majestic Karri trees at Boranup.

The dVerse Prosery is hosted this week by Merril and the line to use is “These memories were left here with the trees.” from ‘How to Write a Poem in a Time of War.” by Jo Harjo. Using that line create a piece of prose of 144 words.

 

I Wonder

I wonder what happened here before I am. This one tree might speak of so much. But what might a forest speak? A grove of knowledge no cloud could carry, a living intelligence that pales Plato, or the vast paucity of philosophy. Each bole a reliquary of life’s passage, each annual ring a repository of a truth greater that the sum of what we call knowledge. O to be grounded in the strength of your heartwood and risk the sky, or to shelter in your caress and know love, to know what you know, to sup from your fount. Evanescent, history passes, held by your compassionate gaze. Of owls and wars, lovers and seasons, for each an ossuary caringly covered by your blankets and, until the one who knows as you know, that only love uncovers, these memories were left here with the trees.

©Paul Vincent Cannon

Paul, pvcann.com.

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You Who Are – prose by Paul Vincent Cannon

dVerse Poets – Prosery

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The dVerse challenge by Kim is to take the line “You will love again the stranger who was yourself” from the poem ‘Love After Love’ by Derek Walcott and write 144 words of prose.

“The privilege of a lifetime is to become who you truly are.”  Carl Gustav Jung

You Who Are

“You will love again the stranger who was yourself.” she said. Her eyes were moist and tender, worried I guess, as I had been somewhere other than myself for some time, fully estranged, formed, nay, torn by the desires and opinions of so many, but never my own. It is as if, as Eliot once proposed, that I could arrive at myself and know myself as if for the very first time. To strip off the hats and masks, the accretions of a life, or two, and return naked to the world as my true self, the ungarnished and bruised reality for all to see. And that is the loveable, that is the real. All else is window dressing on a grand scale of deception of the self, no one else is so deceived. So, to set aside those ancient scales for love.

©Paul Vincent Cannon

Paul, pvcann.com

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One Side – by Paul Vincent Cannon

dVerse Poets – Prosery 2

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Photo: pixabay.com

At dVerse Poets sarahsouthwewst has challenged us to write a prose piece of 144 words using a line from a poem. Sarah has chosen a line from ‘Full Moon’ by Alice Oswald: “Last night I dreamt I was the moon.”

 

One Side

The strangest things can happen in unguarded moments with a glass of wine. We were sitting out star-gazing when I blurted out, for no apparent reason, at least none that would make any sense, that last night I dreamt I was the moon. After a polite pause someone asked what I meant and I realised I was thinking out loud. I was roused from my thoughts with “Well?” Then someone filled the long silence with “They say that to dream of the moon means that you can face a challenge.” Someone else volunteered, “It means mysterious changes are coming in your life.” Then all eyes were on me again. “Well?” “Well, It struck me that I am only one side.” “What?” came the unified response. “you only ever see one side of me, I have a very dark side.” The night hid my smile.

©Paul Vincent Cannon

 

Paul, pvcann.com

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